Uncle Pug
Posted on: July 16, 2015
When walking, Uncle Pug’s crutches went huff-plat, huff-plat, telling us he was coming. Two loud crutches made up for one dead leg. Tee cut and stapled all his pants at the right knee so his stub didn’t get cold, except in the summertime, when it stuck out the bottom of his shorts like a turtle head.
“What good?” he said, screen door sizzling shut.
“Ain’t nothing,” Tee answered from the kitchen. I didn’t say anything. I stayed out of grown-folks business.
I got off the couch so he could sit. Tee said he hollered when I didn’t get up from the couch because the crutches hurt his armpits like feet walked too long. But Pug fussed like an old lady, that’s just what he did. Whooped like one too -- stung, didn’t really hurt hurt, except when that crutch whapped your forehead.
Like I knew he would, he flipped the TV channels and stopped on the Golden Girls. He only walked up the path to our house to watch TV and eat. Otherwise he stayed in his house out back. But he’d walk that path every day to catch his woman. He loved him some Blanche.
“Ach,” he sucked his teeth. “Get it,” he said when she sashayed.
“Dorothy, sit yo ugly ass down,” he said when Dorothy came on the screen, dismissing her with a flinging of his wrist.
“Mind me of Sophia,” and then he’d say, “not that old Sophia. My Sophia.” And then he’d wait for the air to breathe the questions he teased up. By thirteen, I didn’t care any more. I’d played hide and go get it, let a white girl touch my thing, felt Keisha Frye’s titties at the movie theatre. What’d I care about some old wrinkly broads on the television and a man with no leg? He never talked about the nasty stuff anyway. Bet he never seen a coochie up close. But Raynard dumb tail goaded him every time, making me miss all the jokes.
“Who Sophia? Some white girl?” Raynard, Tee’s man, sipped wide from a Steel Reserve, eyes leaky red.
“Oh, can’t say.” Pug teased, waiting for someone to beg.
And Raynard gave Pug what he wanted. “Aw man, you don’t said something now.”
I sat on the floor leaning against the couch. Pug’s full leg stretched out no further than my thigh. He had the family look -- Tee called him “petite,” raisin-brown with cool Indian hair cut low, but long enough so you can tell it curled up. Pug was old and lived in a shack, but he never left the house without a crisp ironed shirt, one shined shoe, and his hair slicked back.
“Sophia’s legs -- creamy white like drumsticks covered in buttermilk, long and lean, my boy.” Pug smacked his thigh.
“What you say!”
“Don’t get him riled up, Raynard! I ain’t trying to take his old ass to the hospital cause he done caught wood up in here.” Tee yelled laughing.
“Aw Girl, hush up now. Let me tell this boy how a real man does it,” Pug said.
It was the episode where Blanche goes on the date with her gym instructor, a much younger man.
“Sophia was in France. French women love black men.”
Blanche sat at the dinner table, trying hard to connect to the hot young thing across from her.
“Saw me in my uni-form. Can’t no woman resist a Mitchie man in uni-form.”
Blanche laughed, desperate.
“Well, how you get with her Pug? Back then and all? She was white right?” Raynard asked, disbelieving the tall tale.
“This was France, young man. I was a soldier, young man. That’s the only excuse I need. But we hung out in secret clubs. Won’t nobody in there to bother us cause they were all doing the same thing.” Pug’s back straightened, taking a plate from Tee.
Blanche’s young man said she reminds him of his mama, and dignity flees her face. Pug dribbled green collard juice down his crisp plaid collar.
“She was a queen.” He stared at his hands, “We went together. Then I lost my leg. Then I came home,” he said.
“Well damn? Some French white woman…” Raynard looked like he wanted to say more, but Tee shook her head. Let it go.
Blanche rose from the table, purse in hand, chest high, head high, and marched back home to her girls. She wasn’t lonely, never lonely, she had her friends. Thank you for being a friend, she said.
Uncle Pug just had us. No kids, never married, no women except the ones on TV.
One time I went in Pug’s house. His piss-and-shit pot, one of them portable stands from the hospital with a white bucket underneath, had not been changed and Tee told me go down there and put it outside the house. Said when she walked by, she couldn’t breathe right from holding her breath, didn’t want the ghost of that smell getting in her. She made me put on a doctor’s mask because she didn’t want the ghost in me neither. I went in his house while he sat on our couch, watching his Blanche. I held the cold handles out, trying not to look down into the swishing brown mess, praying I didn’t trip on a pulled up sticker-board tile Raynard help put down when the plywood rotted. Made sure all four corners of that stand set solid in the grass behind the shack before footing out there fast. Ripped off my mask once up the path and breathed, breathed, breathed.
That was the stench he took in every day when he left our couch and huff-plat, huff-plat back home in the darkness. Sugar took his leg, you know, not some damn war. But, who was I to tell an old man about lies.
Written by: Tyrese L. Coleman
Photograph by: Garrett Carroll
Labels:
1:1000.
amputee.
delusion.
elderly.
family.
France.
Garrett Carroll.
Golden Girls.
house.
television.
Tyrese Coleman.
war
She Whistled in the Night
Posted on: October 16, 2014
I had been working the overnight shift at the Windsong Assisted Living Home for just shy of two months. Once I adjusted to the hours and the smell, a smell of atrophy that was somehow also antiseptic, I had grown to really enjoy it. By no means was I thinking of it for a new career, but it was the best in the long string of bad jobs I had since I left the Army.
The residents all varied in age and ability, and in their propensity for conversation. Most of the ladies were genial and would gossip and flirt. The men treated me with a polite indifference, until they found out I was a vet. And there were a few, I quickly learned which ones, who were so lonely after being unceremoniously dumped by their families that would latch on until I feigned an emergency just to escape their room.
And then there was Manon Pelletier. Never once had she uttered a peep. Until now.
“Could you leave the curtains open tonight please?” she asked, her voice a hoarse, cracked whisper.
She was a tiny speck of a woman, just wrinkles and bone, really. Every night when I came in to her room, she would be hunched in her chair, bundled under her tattered, old blanket, staring as images flashed across her television. And every night my “How are you tonight, Ms. Pelletier?” fell on deaf ears. Or so I thought.
“Sure thing, Ms. Pelletier,” I said, shocked at her request. “You want to see the lights?”
Due to a spate of recent solar storms, the news was reporting that the Aurora Borealis would be visible as far south as the Mid-Atlantic, and up here in the northeast kingdom of Vermont, they were forecasting quite a spectacular show.
“Have you ever seen them before?” I asked, trying to coax a little more conversation out of her.
She gave no response. I went on doling out her meds in silence, and then, just before I was about to leave, she spoke, her voice growing stronger and taking on the French Canadian lilt that is common this close to border.
“When I was a girl they would call us half-breeds, my sister and I. Our father was Québécois, and our mother was Inuit. We lived with her people when I was small. Every night we would watch in silence as the lights danced across the sky. They were beautiful, but we were afraid.”
“Afraid? Why?” I asked.
“There is a saying the Inuit have. The great peril of our existence lies in the fact that our diet consists entirely of souls. You see, we don’t believe in God, but we believe that everything; man, walrus, caribou, whale, seal, everything--has a soul. And when they die, that soul is released. That is what you see at night. The lights are the souls of the fallen, of the dead. And it is said if you whistle at them, they will come down and take you away forever.”
“Whoa. That’s crazy.”
For the first time her gaze deviated from the TV and over to me. Her eyes held a fierceness, a spark that belied the deteriorated state of the rest of her body.
“You don’t believe me.”
“I’m sorry, I’m not calling you crazy, but…”
“It’s ok. I understand. But I am going to tell you something, something I have never told anyone, not my husband, not even my parents. When I was a girl, things were simple. Simple, but not always good. There was a man, my mother’s uncle. He was a bad man. He did bad things to my sister. She was twelve, two years older than me. I would pretend to be asleep, wishing he would leave her alone, but in a way, thankful it wasn’t me.”
“I’m so sorry,” I whispered.
“One night after he left our room, I saw her sneaking out. I followed. The lights were brilliant that night, swirling on the horizon. When she began to whistle I got scared and ran to her. She was crying. When she saw me she yelled at me to go back home.”
Tears started to well in her eyes, and she stared ahead blankly, searching her memory for details about that long-forgotten night.
“She said she couldn’t take it anymore… I wanted to stop her… She made me promise that I would go back home…”
I took her fragile hand in mine just before the dam burst, unleashing a lifetime of tears.
After a few minutes, she regained her composure.
“As I ran back home, I heard my sister start to whistle again. A harsh, frigid wind kicked up. I could hear something behind me, like the sound a train makes as it splits the cold, still air. I threw the blankets over my head and cried myself to sleep. In the morning, when they discovered she was gone, I told my parents not about the lights, but about my mother’s uncle. We left for Montreal soon after that.”
“I’m so sorry,” I repeated, not knowing what else to say.
“I’m very tired now, could you help me to bed?”
“Of course.” I hesitated. “Ms. Pelletier, do you still want me to leave the curtains open?”
She smiled at me.
“Yes, please. And thank you for listening to my story.”
“Anytime.”
I closed her door and walked back down the hall towards the front desk. Out the dining room window I caught a glimpse of shimmering green light. I turned out the lights and stood at the window, transfixed, as the Aurora, ethereal and electric, swayed in the night sky like whispers of smoke off some unseen, supernatural campfire.
I don’t know how long I was watching or what made me go check on her, but as I approached her suite, I heard a high-pitched whistle. I struggled with my keys, searching for the one that would unlock her room. The temperature dropped as a cold draft rushed out from the beneath the door. The whistling was joined by another noise, a hushed murmur that rose up into a throbbing, unsettling hum.
“Ms. Pelletier? Are you alright?” I screamed as I pounded on the door.
And then, just like that, it was gone. All of it. The whistling, the hum, the cold.
When I finally got the door open, Manon Pelletier was nowhere to be found. Her bed was a jumble of diaphanous sheets, soaked through with sweat. Her window, closed and locked when I left, was open. And out in the distance the lights danced on.
Written by: Ben Cook
Photograph by: Erin Notarthomas
Labels:
1:1000.
abuse.
ben cook.
elderly.
erin notarthomas.
inuit.
myth.
northern lights.
nursing home
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License
1:1000
The Design of this Blog is All rights reserved © Blog Milk Powered by Blogger