Anatomy of the Inhuman Heart (Tales from the Academy)

Posted on: January 13, 2015


Ren became an orphan and a soldier in the span of twelve hours.

It started with the bright white light of her tablet, the notification a signal flare arcing against a starless sky.

Groaning, she tapped the blocky red letters and closed her eyes. He’s forgotten about the time difference again.

Ren settled back into the covers, the comforter warm and soft against her chin. She felt sleep embrace her, but the call light cleaved through the darkness.

He meant to call someone else.

She pressed the red letters and rolled onto her back. Anxiety gnawed at her, ground away her desire for sleep and Ren found herself grabbing the tablet and tapping away until her father’s face was there, washed with worry and fear.

“What’s wrong?” Ren asked, and a dozen possibilities turn over in her mind. Her mother, her siblings, his job. But Occam’s Razor has no place in war. There is no room for simplicity among hatred.

“An attack,” her father said. She slid her fingers against a slender glass tab and activates a wider, brighter screen across from the bed. Ren saw images her mind refused to reconcile.

Her country. The iconic snow-topped mountain. A mushroom cloud. Cherry blossoms fluttering in a radioactive breeze.

She slid her fingers again. Light left the room, save for her father’s face, small and weak with its own darkness.

“But you are not in Tokyo,” Ren choked, knowing what he would say.

“It is not just Tokyo.”

“Tell me,” she demanded. She listened as he explained what the news outlets will spend weeks covering in detail, with bold, colorful interactive maps and graphics: analysts standing in the middle of renderings of Kyoto Ground Zero and Tokyo Ground Zero, anchors charting the bombings across Kyushu and Shikoku. Damage dealt by China, all pretense of positive relations smoldering.

With her father, it was black and white. He stayed home, sick with flu, and he could not get in touch with her mother and sisters. He has tried to use the locator app, but — and he would not look at her as the words spilled out in a sob — no user connection.

“Leave,” Ren said.

“It’s too late.”

“They’ll come,” Ren insisted, though she isn’t sure who “they” are and when and how they will arrive. “Someone will come. International aid, survivors’ camps — ”

“Ren,” her father met her eyes. Across a war zone that did not exist yesterday, across an ocean, they saw each other for what they are: a father and his favorite daughter, a dying man and a survivor.

“No,” she said. Her jaw trembled, oscillating between rage and mourning.

“I called to say goodbye.”

They spoke for another half hour, until the signal ended — tragically? Mercifully? Ren can never decide.

Ren looked around the room, Spartan with its single large screen. She felt like a caged animal, breathing stale air and circling, ready to attack. When she unlatched the door she felt cool freedom, tears drying into streaks of salt on her cheeks like war paint.

Ren tallied her losses. She tallied the losses of those who could not.

The recruiting office buzzed with jingoistic rhetoric, electric currents of pride and racism pulsing around her. Ren wanted to shake the men, women, and children who glared at her.

She remembers learning about the internment camps during World War II and how magazines published ways to tell Chinese and Japanese people apart. There were buttons with big bold letters: I AM CHINESE.

Ren considered making one of her own, one that might light up with flashing neon letters, lowercase in the style of the microblogs and pop journo sites: i am japanese-american!

Or better: i hurt, too <appropriate emoji>!

But not what she felt, never the words she wanted to scream at them as they stared and hated and judged: I lost something, and you want only to gain.

When her turn came, she signed on the line and enlisted like the others.

                                                                                              ***

The campus sprawls over forty acres, though Lieutenant Colonel Chisholm assures them additional funding has been approved to purchase more land, build more facilities, remodel staff quarters. Nervous chuckles ripple from the new recruits, men and women responsible for the success of the Academy and its progeny, like this place is a living organism.

They walk into the main building, a massive umbrella sculpture of fabric and seams welcoming them in shades of orange and vermillion.

The heart of the Academy, Ren thinks. It feels like her own: ripped open and inverted, rearranged into something macabre. It beats not to sustain life, but to avenge the dead. Vessels that once constricted and pumped blood have been fashioned into spikes pulsing poison.

Ren tastes bile and the room swims before her, the heart of the Academy throbbing, pounding in the atrium. She hears the blood rushing in her ears and it sounds like the drums of war. She breathes long and deep until she feels weightless, drained of the fever that boils her blood and makes her see red and hatred everywhere.

Temper your rage.

                                                                                              ***

“I like your hair. Not many women going for the traditional crew cut.” Desh’s mouth spreads in a delicate grin. It’s different from the too-wide garish smiles the others have given her, the words of a compliment betrayed by the ticks of the disingenuous. Ren decides to trust this man, even though her CO warned otherwise.

“Thanks, but I think I went too extreme. It needs to grow out. And I kind of miss my bun.”

“Did they tell you why I was here?”

“Reporter for pop journo site New New Republic,” Ren says.

“I’m writing about the success of the Academy, getting perspectives from different people in the trenches. We’ll give everyone pseudonyms. Lieutenant Colonel’s orders,” Desh says. “Tell me some things about you. Give me a sense of Specialist Ren Mori.”

“I manufacture murder,” Ren says, “and I try to live with that choice.”

Ren looks at Desh, who has sad, dark eyes like her father did. She continues.

“Some days are easier than others.”

Written by: Erin Justice
Photograph by: Emily Blincoe

Poor Loser

Posted on: December 18, 2014


Fuck you, bouncer, and a big ten-gallon FUCK YOU to you too, John Wayne! I’ll kick that hat right off your flat head!

Oww!

Fucking curb. Fucking concrete. Fucking blood. Where do you think you’re going, dripping out of my nose like that? You get the fuck back in my brain RIGHT NOW.

Sniff. Cough, cough. Spit.

HA! “BUDDY’S PLACE.” Now you’re BLOODY PLACE. You take my DNA and you LIKE IT. You’ve taken everything else from me. You call yourself a “Home of Happiness.” How about a ROUNDHOUSE KICK?

Goddamn you, concrete. We meet again. And I see you’ve decided to take some of my forearm with you this time. FINE! KEEP IT! But you’re the one who’s going to have to answer to Stavros and his boys.

I’m their property now, and it’s all because PEYTON MANNING is a FUCKING CHOKER! Four more games, Peyton. Just four more games, and you would hold the record for the quarterback with the most consecutive games with at least one touchdown pass, and I would still be alive to praise you for it. BUT NO! You let the Buffalo Bills stampede you like Stavros’s henchmen are going to do to my SPINE.

Oh fuck. Oh shit. How did I end up like this? Three years ago I didn’t even WATCH football. My weekends were spent seeing movies, cooking dinner, fucking–sorry–making love to the woman I was probably going to spend the rest of my life with. Maybe even have kids with? Kids I would make damn sure never step foot in one of these concussion factories we romantically call “gridirons.”

I would give ANYTHING to get that back. Fuck, I tried to give EVERYTHING to get that back, but you wouldn’t have it, would you, Peyton? Nope, you Bible thumping, right-wing leaning, Papa John’s Eating, Nationwide slinging piece of Bronco shit! You had ONE JOB, Peyton Manning! That’s one more than I have.

Fucking football. Fucking gambling. Fucking Steve from accounting. Why’d you have to loop me into all this shit in the first place, Steve? All I asked you for was a little financial advice. I said, “Steve, I’m tired of these student loans. How can I pay them off faster?” And what did you tell me? “There’s always gambling.”

You made it look SO EASY, you fucking prick, but it was all just some sneaky accountant’s trick. You deserved that stapler to the head, and if I could hop in a time machine and go back to last year, I’d do it all over again!

No, no, no, NO! WHAT AM I SAYING? Unleashing the beast on Steve isn’t worth breaking the space-time continuum! Hell, Steve wasn’t even worth the .0002 cent staple I lodged in his fucking forehead.

Let’s be smart about this. If I were to somehow stumble across this magical time-traveling vessel before Stavros’s Town Car pulls up, the back window rolls down, and a gun barrel pokes out, where would I go?

The obvious answer would be to go back to the day before I approached Steve for financial advice, but now that I think about it, WHY did I approach Steve for financial advice? Oh. Yeah. That’s right. Because Becca was busting my balls about not being able to compete with her friends on Instagram!

“Why can’t we go to Greece?” “When are we gonna get a puppy?” “Where’s my Tiffany’s engagement ring?”

Gee, Becca, I don’t know, maybe that’s all in a parallel universe where we were born into well-to-do families that supported us with the financial and emotional stability it takes to make us feel like we deserve more than a fucking middle-management position at some heartless corporation!

Fuck Becca! She’s not worth my flux capacitor either. I’m revving my DeLorean to 88 and leaving that greedy hag in a cloud of plutonium exhaust. Then it’s off to high school, so I can study and join some clubs and build the kind of résumé that’ll get me out of my safety school and the perpetual student loan debt that came with it.

I’ll play tennis! All the smart, rich motherfuckers at my school played tennis. I bet Steve played fucking tennis, DIDN’T YOU, STEVE!?

Who am I kidding? My parents would never support my tennis ambitions. I’d spend more time mowing lawns and painting houses just to buy a racket than I would practicing. Then I’d be a laughing stock. Tales of my horrible tryout would travel through the halls at the speed of an AOL Instant Message. I’d go from being the loner that nobody knew to the loser that everybody screwed with. Fuck that shit. Back to the DeLorean!

What about Kindergarten? What if I spent more time reading and counting than I did eating fingerpaints and making fart noises with my armpits? Then I would’ve probably passed that test that determined which kids go on the honors track and which ones remained with the teachers who only got into teaching for the two months of summer vacation.

Yup, that’d probably do it. I don’t suspect many honors students lose their entire life savings to a loan shark on a football bet. A stock broker, maybe, but not a bookie.

Just look at me, sitting here, playing the Woulda, Coulda, Shoulda game. THAT’S the motherfucking problem. I wouldn’t even need a time machine if I could just get back all the time I’ve spent wallowing in my own self-pity. HA! There’s another one! Another “IF.” IF this. IF that.

Life isn’t a game of “What if”s. Life is only concerned with what IS. The truth IS, I’m a fuck up. Always have been. From my paint-eating, armpit-farting youth, to my kung-fu kicking, nose bleeding now, I FUCKED UP, and it IS time to pay the Grecian piper.

Speak of the devil. There IS Stavros’s Town Car. It IS slowing down right in front of me. The back window IS rolling down. There IS a gun. That IS all, folks.


Written by: Mark Killian
Photograph by: Emily Blincoe

Korean 28

Posted on: December 11, 2014


“I’ve been dreaming about planes.” Ellen-Teacher tells me.

“I know it’s stupid...but...I think I want to be a pilot.”

We’re sitting in one of the bars near Lotte Cinema. The dim one with giant teddy bears in glass cases. The teddy bears aren’t for sale. They aren’t for anything.

Maybe it’s the mutual dissatisfaction with our job or maybe it’s the teddy bears in glass cases that make me encourage her.

“You should take flying lessons.”

Ellen-Teacher slides her glass of Hite closer and glances around before taking out her third Dunhill of the night.

No one’s watching. No one notices the female South Korean lighting another red. Everyone is busy watching themselves, taking selfies, texting, or fixing their makeup. But Ellen-Teacher looks as if her father might pop up at any moment.

“I can’t.” She says.

Ellen-Teacher can’t do a lot of things. If I ask her out for a beer, Ellen-Teacher has been directed to tell me “I can’t.” Director Randy, our boss at the English school, forbade her. He didn’t tell her why. This may also be why Jessica-Teacher answers me in small grunts and glares at me from afar.

Director Randy chose his English-speaking name by naming himself after Randy Rhoads. Sometimes he rollerblades around the carpeted office and once a week he asks me to guess how old I think he is. He’s balding. It’s week 17. Every time he asks, I smile uncomfortably and shrug with false uncertainty.

The first time Ellen-Teacher invited me to get a beer, she told me about this rule. The invite was a pity one. She saw me through my classroom window. It’d been hours of speaking in my well-crafted English slow-tongue. I’d emphasized every R and L ad nauseam to my beginners. I’d made sure my intonation was welcoming and bouncy, like the lovechild of a mid-westerner and a Southern Californian. I’d spent the last few hours of my shift trying to teach English to adolescents who only questioned my importance. “Why we need English?” I didn’t correct their questions. Like a real adult, I told them to ask their parents.

Ellen-Teacher saw me through the glass square in my door using my hand to keep my head from falling on the desk in defeat. Outside, out of Director Randy’s view, she invited me to share our first pitcher.

Ellen-Teacher and I are both 28. I lost two years during my 17-hour flight from the States. In Korea, you’re one from the moment you emerge from your mother. Your birthday means nothing. Forget about it. Your birthday is now the New Year. Everyone’s birthday is the New Year. Back in Buffalo, New York, I was a young 26 but Korean Standard Time declared me 28. I’d missed my chance to join the 27 Club entirely and glided into the not-so-golden age of a Korean 28.

Korean 28, for a woman, means marriage with kids on the way. Korean 28 does not mean teaching over-privileged Korean students English. That’s the equivalent of a spinster. I might as well resign to a life of lonely Sundays where I watch infomercials as if they are real television programs and start calling product helplines just to hear another person’s voice.

I learned my status as a spinster from every conversation with every South Korean cabbie ever.

The driver looks in his rearview and asks where I am from.

“Where are you from?”

“New York.”

The driver assumes that “New York” means the city and makes weird shout-outs. He lists the things he knows and thinks about the city, each its own exclamation or statement:

“New York!”

“Big Apple!”

“Time Square!”

“Very many people.”

I nod in agreement as these are also my thoughts on New York. We nod at each other until there are no more nods. When the nod-off ends, the driver asks how old I am.

“26.”

“Married?”

Horizontal nod.

“Boyfriend?”

Another horizontal nod.

I can see his scrunched brow in the rearview. He retires to a disappointed silence. I want to add another detail about New York with an exclamation point at the end.I want to say anything to take us back to when he was excited to know me. But his silence is a strong one, a finite one.

Ellen-Teacher isn’t married either and she doesn’t have a boyfriend. Ellen-Teacher's first name is not Ellen and her last name is not Teacher. Euna chose “Ellen” as her teacher name. My teacher name is Letia because that is my birth name. When Euna is asked why she chose the name “Ellen”, a shrug is the reason. Like me, she is confused as to how she wound up teaching English to the over-privileged kids of her country.

Ellen-Teacher lives with her parents. Ellen-Teacher had a brother. He left Mokpo to live in a bigger city. Their parents disapproved. He bought a motorcycle. Their parents disapproved. Ellen-Teacher’s brother died in a motorcycle accident.

There is little hope of Ellen-Teacher flying anywhere.

And though we both know this, that we’re a couple of Korean 28s and that it feels too late, Ellen-Teacher continues to dream of planes.

“You could take lessons.” I suggest again.

After all, Amelia Earhart’s legacy was of trying.

“Do they have flying lessons here?”

She tells me they do, she explains the expenses a little, and ends her last sentence with a but.

Even Amelia got lost.

After Ellen-Teacher’s pack of Dunhills is lighter and we’ve drained enough pitchers to find our lives laughable-laughable instead of pathetically-laughable, we part ways for the weekend.

Ellen-Teacher goes home. A hallway away from her parents, she lays her head down and dreams the same dream again. The one where she is flying above us all, wearing an Amelia Earhart leather aviator helmet, and watching the world below move on.

Written by: Tia Brown
Photograph by: Emily Blincoe

The Star

Posted on: December 9, 2014


Her grandmother took her to the opera house to see the Nutcracker. She sat very still in her seat, the red fibers of the chair scratching her thighs. She watched patrons move down the aisle with bouquets of roses and greenery in their arms and gift bags dangling from their elbows. She knew they were presents for the dancers.

But what they didn’t know was that her name was Clara, too, just like the star of the ballet. Surely, for that, someone would give her a gift. Maybe clip-on earrings or a porcelain doll like the one she saw when she was shopping with her parents at the antique and garden store.

Clara knew if she could just rise from her seat, twirl her velvet dress, and approach the woman with the present, all she would have to say was, “My name is Clara,” and the woman would be charmed. Everyone would be charmed.

But at that moment, her grandmother wrapped her leathery hand around Clara’s wrist and squeezed.

“Do you want a peppermint?”

Clara rattled it around in her mouth, clicking the candy against her teeth. Now the lights were dimming. She had missed her chance.

When the ballet was over, it was decided. She would become a dancer, and everyone would shower her with gifts and flowers. The spotlight would shine down from the roof and the whole room would gaze on her alone.

Back at her grandmother’s, she rummaged through the closets for ballet slippers. She settled instead for terrycloth house shoes with rubber grips on the bottom. She spent the rest of the afternoon imagining the patio was a stage, and she was Clara, the star Clara, who had a growing Christmas tree and a real prince and a benevolent uncle who was also a magician.

When she finished her dance, she set about gathering leaves and sprigs from her grandmother’s yard, topping off the arrangement with all the fern fronds and large succulent leaves from her grandmother’s potted plants. She wrapped them in a paper towel like a bouquet and cradled them in her arms, thanking her adoring fans.

Her grandmother had had enough ballet for one day.

“What have you done to my fern?” she said.

Clara didn’t have an answer.

“Let’s get you back home,” her grandmother said, shaking her head.

Clara spent the drive back to her house staring out the window, imagining she was alone, and imagining that everyone loved her.

“I don’t see why I couldn’t spend the night,” Clara sighed.

“We didn’t plan for that,” her grandmother said.

When the screen door of her parents’ house slammed behind her, the magic was gone.

“Get changed—you don’t need to play in that dress,” her mother shouted from the kitchen.

Clara could smell spaghetti sauce and some kind of vegetable she was certain to dislike. Downstairs, one of the twins was screaming. She hung her dress on a pink plastic hanger in the closet she shared with Emma and traded it for blue polka dotted leggings and a yellow turtleneck with a faint Kool-Aid stain near the hem.

Emma wanted to hear about the ballet, but Clara didn’t want to talk. She knew if she stayed inside, she would be asked to do chores. She had enjoyed an afternoon of extravagance with her grandmother, and now someone would want to make her pay. Drying the dishes. Picking up pine cones. Sorting the clean laundry into seven stacks—one for each member of her crowded family.

“Where are you going?” Emma whined, as Clara double-knotted her sneakers.

“Shut up,” Clara said, even though those words were off limits.

She sneaked outside and hid under the deck.

It was too tight to stand up and continue practicing the fine art of ballet, so she braided two clusters of pine straw together and pretended it was a dancer. There was a dead roly-poly near her foot.

“A rat!” she whispered, and jumped her pine straw dancer away.

She wished she had kept a piece of her grandmother’s fern. Ferns are infinitely more graceful than pine straw. Clara arched the straw dancer, bending it into an arabesque. The straw broke, leaving her dancer’s leg ruined.

She heard the thunder of little feet on the deck above her head. It was Emma with the twins.

“Clara!” Emma called. The twins echoed. “Supper’s ready!”

Under the deck, Clara tensed, drawing her knees up to her chin. She had forgotten her jacket and was getting cold, but she didn’t want to go in. She didn’t want to go to the dinner table, fight over the breadbasket, and watch the twins and baby Julie smear spaghetti sauce in their hair. She didn’t want the noise and pain of it. The knives screeching on plates, Emma kicking her shins under the table.

No one would pay any attention to her. No one would think she was special for having the same name as the star of the ballet. She was the star of nothing. There would be no elegance in scraping leftover food into the garbage can and loading plates into the dishwasher. Nothing lovely about sliding a nasty broom under the baby’s high chair and pushing crumbs into a dustpan.

“Is Clara gone?” she heard one of the twins ask Emma. “Where’s Clara? We love you, Clara!”

“Go on in,” Emma said. “I’ll find her.”

Clara heard the twins run back across the deck, and she saw Emma’s feet coming down the stairs. Emma peeked around a beam.

“There you are,” she said.

“I’m not hungry,” Clara said.

“Look what I found in mom’s room,” Emma said, crawling beside Clara in the dirt. “She said you can have them.”

Emma handed Clara a tattered pair of ballet slippers, long and narrow like their mother’s feet. The leather was still a perfect rosy pink, and inside each heel someone had written their mother’s initials with permanent marker.

“After supper, will you show me how to dance?” Emma asked.

“Maybe,” Clara said. “I’ll think about it.”

They left the broken pine straw in the dirt and went inside.

Written by: Dot Dannenberg
Photograph by: Emily Blincoe

Inhabit

Posted on: November 25, 2014


We last saw Anna being interrogated by Michael Cohen, the police detective assigned to a series of related murders that all involve the same ghost. Anna realizes that the only way she can stop the specter's spree is to help him. Read the whole Anna the Extractor Series--"The Extractor," "Bury Their Own," "Beloved," "A Tremor in Your Name," and "Stress in the Workplace," "Common Denominators," and "Calling" (an introduction)--to learn more about Anna and her supernatural adventures.

“Lucas, be still.”

The rabbi isn’t speaking to the man, but to the ghost that possesses him. Ten men of various ages surround Lucas with heads bowed and eyes closed, reciting a psalm in Hebrew, each at their own pace. Some of the men have their palms turned up, as if ready to receive a blessing. Others are nervous, unsure of themselves, merely mumbling the words and wringing their hands.

The ghost cannot flee as he has before, not when the rabbi knows his name and commands him to stay. His host begins to tremble, face flushed, and breath shallow. Lucas peers through the eyes of his stolen body, searching the faces of those around him, and noticing the silhouette of a woman just beyond the circle, sitting on the arm of a faded red couch. He knows her immediately, feels the chill of her spirit pressing toward him before she even moves.

“Anna,” he hisses.

She stands, sliding between two of the men to enter the circle. He recognizes the look of a plan hiding in the curl of her lips. Anna is determined, but he doesn’t know what will come next.

“Are you absolutely sure you want to do this?” the rabbi asks Anna.

“Yes,” she says, then swallows.

The rabbi licks his lips then raises the shofar, a bellow erupting from the horn as he blows. The man whom Lucas possesses shakes harder, falling to the floor as his eyes roll back in his head. The chanting grows louder as the rabbi raises his hands and Anna sits down on the floor. Lucas feels his spirit detach from his host, like the friction of velcro pulled apart. He is suspended in space, but cannot sail from the enclosure of religious fervor.

“Lucas, into Anna,” the rabbi says.

Like a beast forced into a cage, Lucas feels his existence fill Anna’s expanse. He can control her, but to a certain extent she can do the same to him. Their spirits merge, and the distinction between the two is hard to discern. He feels her parents’ absence and the light decay of her lungs from cigarette smoke. He notices the presence of another spirit apart from Anna’s, but he’s drunk with the sound of exorcism. Lucas can’t think straight. He doesn’t know what to do. All he has left is the flow of revenge that has sustained his spirit for decades. It makes him angry. It makes him lash out.

Some of the men take a few steps back, threatening to break the circle when Anna starts to beat her chest with her fists, a groan resounding from deep inside her. She’s doubled over, and her hair shields her face. The rabbi urges the men to keep formation, to continue the recitation.

“Anna, are you still present? Can you hear me? Tell me my name if you can hear me,” he says.

Anna shakes her head, barely able to turn her face in his direction.

“No, if I say it then he has it. He can take you if he has it,” she manages to utter.

Another wave of rage careens through Lucas as he throws himself against the walls of Anna’s body, her heart and soul. He digs her nails into the skin of her neck. He pulls her hair and slams her down against the floor. He needs a way out and he can’t find it. The only way out is through her, with her, to end her.

Despite her small frame, Lucas uses the force of his presence to strike down the man directly in front him. Anna headbutts his chest, and he falls to the floor in shock and terror. As the circle breaks, Lucas feels the power over him begin to diminish, like water seeping out of a crack in a porcelain cup. He notices that the rabbi is stunned, knows to go for him next. He feels Anna resist his control, but it’s already too late when she takes hold of the shofar and rails it against the side of his head. The holy man falls to his knees, losing focus only for a moment, but by the time he remembers the ghost’s name, he is gone and his host is gone, too.

Lucas can feel how lost Anna is as he uses her body to run down busy sidewalks, taking side streets, unsure of where he’ll go, but knowing he needs to get out. But something still binds him to her, as if a job left unfinished cannot be abandoned completely. The rage is building with every step, and he feels that other spirit’s presence build with ferocity. Lucas feels trapped, like the walls are closing in, but Anna is weak and she’s losing the fight. She can’t recover her body or her mind.

But then he feels her. He feels her spirit digging. She’s scratching at the walls of his past, peeking through the curtains of his motives. She’s going places where she shouldn’t, opening doors that he has kept locked for so long. And she isn’t alone.

“Lucas,” the spirit whispers.

And he remembers, the spirit of the little girl whose life he took years ago, using the hands of her drunken father.

“Lydia,” he seethes.

Lucas feels her residing in the cross that rests against Anna’s chest, a place he cannot enter. The little spirit is just out of his reach, and her voice taunts him as she whispers his name, debilitating his hold on Anna’s body.

“I’ll kill her,” he mumbles with Anna’s voice. “I’ll throw Anna into the river. I’ll drown her. I’ll make her kill everyone she loves.”

“Lucas,” Lydia begins. “Anna doesn’t wish you ill. She’s trying to help you. Let her.”

“No one can help me,” he screams through his host.

He brings Anna to her knees in the middle of an intersection, cars squealing to a halt and spectators gathering about in horror and delight.

“She can,” the little spirit whispers. “She will.”

Written by: Natasha Akery
Photograph by: Emily Blincoe

The True Test

Posted on: November 13, 2014


Max hesitates and looks up and down the antiseptic hallway, stark white and silent. Dozens of scanners glow next to dim portals, each leading to a bright exam room.

The watch vibrates an alarm. He’s going to be late. Max sighs and places his hand on the screen. The portal displays a series of numbers and biometrics, as well as the same terrible picture of a younger, pimply-faced Max. The portal spirals open and Max steps through.

A young woman with short, choppy hair is in his exam room.

“My name is Ren,” she smiles. “It was clear Dr. Rosen was not making any progress.”

“I wasn’t nice to Dr. Rosen. I didn’t know his name, though,” Max says, as though it makes a difference. Last week his test response was a thinly-veiled story about a clever boy imprisoned by a fat, evil king. Max has been paying for it all week with brutal drills in the SimRoom.

“I don’t expect you to be nice to me. Not when I look like the enemy.” Ren’s smile seems sharper, more pointed and ferocious.

“Don’t do that. You aren’t the enemy.” Max says. “You’re Japanese. Are you one of the survivors?”

“No,” Ren exhales and looks down at her notes. She drags her red pen across the paper, drawing sad loops.

They do not say the words they are both thinking, born from different memories of the same terrible day. Max does not ask her if she lost family during the Crimson Terror. Ren does not ask him if he joined the Academy because he was caught up in narrative driven by revenge.

Their expressions tell their stories: loss and hatred.

“I’m sorry,” Max says. “I didn’t mean — ”

“How did you know?” Ren asks. Her expression is a blend of sadness and curiosity. She wipes a stray tear away with an ink-stained finger, leaving a smear of violent red in its wake.

“My dad made me memorize the family tree back through the First Civil War,” Max says, “after World War II, my great-great-grandfather married a Japanese nurse named Ren.”

“Without that, would you have known?”

“Probably not,” Max admits. “But if you’re at the Academy, you have to be good, right?”

Ren does not respond. She taps on the table and dozens of blooms rise from its center. There are massive sunflowers and vibrant posies, curled fiddlehead ferns and drooping tulips in every shade Max can imagine. It is the most color he has seen in years.

“This is your thirty-seventh test, Max. Create a story,” Ren says.

“Wait,” Max says. He pulls a clean white screen cloth from one of the many pockets in his jumpsuit. He hands it to Ren, her wide brown eyes wet with uncried tears. She stares at it. Max gestures to her eye.

“You’ve got ink there,” he explains.

“Thank you,” Ren says, dabbing the stain until it disappears. When she gives the cloth back to Max, her fingers brush against his.

She pulls her hand away and taps on the table again. A wide ceramic bowl appears under the floating flowers. Max looks up and plucks different stems from the holographic network garden above him.

“He fell in love with the smartest woman he knew,” Max begins.

                                                                                               ***
At the ninety-eighth test, Max requests a cipher.

“A cipher?” Ren’s voice is even, but her dark brown eyes light up. It is the only way they can laugh together.

“A key,” Max replies, his blue eyes wide and bright. He almost cracks a smile, but bites his bottom lip instead. Ren blushes and glances at her notes.

“Please, Ren. I’ve been telling the story all wrong! Flowers have different meanings, and if the man is in love with her, he can’t send her flowers that mean friendship or sympathy.”

“In your story, you assume the woman cares about the meanings of the flowers instead of the overwhelming affection behind the man’s efforts. Why does she care?” Ren asks.

“Because she’s smart and he isn’t, and if she knows this and he never did, she wouldn’t want him,” Max explains, his voice rough and deep.

“You have been telling the same story in every test I have given you. Some days you pick different flowers. Your flowers mean the same thing to the man. Why does a key matter?”

“I graduate soon. I just want to tell it right.”

“There are no right ways,” Ren laughs. “Now, tell me a story.”

                                                                                               ***

The transport hovers over the East China Sea, its belly swollen with recent Academy graduates, high off propaganda and nationalism and eager for action. Max sees something spiraling up out of the water, a swarm of flashes and a low hum he could feel deep in his gut. He jams on his helmet and screams for autopilot to take over, and the last thing he sees is a shimmering black sludge that coats his visor. He feels his stomach drop as he falls.

                                                                                               ***

“Your progress is good,” the doctor says, “and you’re integrating with the new tech nicely. You’ve gotten a few pings for visitor requests. Now that you’ve got full range of motion, I think it’ll be best for them to start coming by, get used to your new look.”

“They have to get used to me?” Max says.

“Soldiers who signed up as tech donor recipients have an easier adjustment to their new limbs or organs - except for the silver skulls, and nobody can get used to looking like a partial Terminator, though I’m told it’s terrifying in Occupied Shanghai.”

“Terminator?” Max asks.

The doctor shakes her head and leaves.

His parents come the following day. His father stares at his arm and shoulder, his mother cries, and his little sister keeps saying “Cool” and asking the doctor varying questions about the specs.

Ren comes the day after with a tray of flowers: real ones, wilted and sweet.

“Pick one,” Ren says.

Max curls his new slender, silver fingers around a blossom. He liberates one of the white roses from the tray and hands it to Ren.

“He fell in love with the smartest woman he knew,” Max says.

Ren smiles and nods.

Written by: Erin Justice
Photograph by: Emily Blincoe

The Warden

Posted on: November 4, 2014

Sometimes your dad wakes you up way too early, and in that fumbling darkness as you put on your contacts, there is a moment of clarity. After you stick those weird little lenses onto your eyeball there is a second where the world shifts from dream to reality.

Then sometimes that moment ends and you realize that your contacts have been soaking in disinfectant -- not cleaning solution, but rather that old school, hazardous shit. Sometimes panic comes before pain. Sometimes you set your eyeballs on fire.

Your dad comes into the bathroom because he hears the yelling. He finds you in the fetal position, and because nothing could have possibly happened at this moment to warrant such a response from his oldest son, he begins to laugh.

“Son, you don’t have to go if you don’t want to.”

You want to tell him that the pain is real, but all you seem to manage is, “arrrrrgh, no, eeeeyyyyyyess.”

You hear him walk down the hall and yell back to you in that familiar drawl.

“Well, get the hell up. We’re burnin’ daylight.”

You end up sprawled in the back seat of a maroon suburban with your eyes squeezed shut, trying to think about what it would mean to literally burn daylight. It would probably feel like your eyes right about now.

This is how your trip begins. You’re going duck hunting with your old man.

To embark on this masculine pastime of bird-killing you must wake up very early. The weather will be very cold, and there may even be snow on the ground. You’ll need to wake up early enough to get to the partially frozen pond, don your camouflage waders that look like giant rubber overalls, and set up the decoys in a very particular pattern that changes based on the wind and maybe some other variables; all before the sun comes up. You’ll then hunker down in a camouflage blind, wearing your camouflage coat, hat, gloves, pants, and even long-underwear. You cannot wrap your head around the concept of camouflage underwear. You will then wait. And wait. And wait. You’ll begin to fall asleep from all the waiting and because your eyes hurt from the disinfectant. Your dad will blow a terrible honking noise out of a strange tube-like device that is also camouflaged called a duck call.

You asked your pops if you could bring your Walkman with you, so you could pass the time with the new Smashing Pumpkins cassette Siamese Dream, the one that has the song “Silverfuck” on it. The one that your mom took away because it has the song “Silverfuck” on it, but then you went and bought another copy and now you listen to it in secret and obviously this makes it better.

Ironically enough, the fact that your mom tried to pull a Tipper Gore on your music collection means that of all the cassettes you owned, and all the songs you listened to, the one you remember the most is a song with the amazing title of “Silverfuck.”

“Pops, can I bring my Walkman to listen to music?”

“Nope.”

“Pops, can I bring, like, a book or something? To pass the time?”

“Son, we’re going hunting. You’re not going to read a damn book.”

“Pops, can I bring…”

“Hunting!”

It’s really cold in the blind, and even with all the clothes you’re feeling pretty miserable. Your dad says to shut up, that you’re talking too loud. There are no birds anywhere. Even your dog, the black Labrador named Beauregard, he for whom this rodeo be not his first, even he looks up at you silently teasing, “Sucks, right?”

After more honking and your dad checking his watch, then looking up at the sun, grumbling something under his breath and checking his watch again, finally there is a bird.

You stand up and your dad immediately sits your ass back down.

“The bird!”

“Shhh!”

The bird does not appreciate your antics, spots the waiting ambush, flies away.

“Goddamnit,” mutters the old man.

Before long, another bird appears on the horizon, making a beeline to your trap. This time you stay put. Dad honks his duck call and the sounds escape the device in jagged, jumpy intervals. You’ve learned that you have to wait for the duck to cup its wings, wait until it slowly begins to drift toward the frozen pond, and then as it’s hanging in the air, as if by a string, you take the shot.

                                                                                               ***

The twelve-gauge recoils against your shoulder as you fire. The duck falls. Beau bounds out of the blind, ripping through the tall grass, his black tail curled up like a shark fin above the reeds.

Your dad is grinning at you, and his blue eyes shine in the sun. The barrel of his shotgun is smoking.

“You fired too?”

“I missed. That was all you.”

You don’t see another bird all morning, but the waiting is somehow now invigorated like its been struck by lightning. Even the silence is electric.

Around noon you begin to pack up your gear. On the way back to your grandparent’s house you sit up front with your dad, and ya’ll listen and sing along to Garth Brooks cassettes. Your dad tells you for the hundredth time how he really wanted to be a game warden, but he wanted a family more, and it was tough to raise a family on a game warden’s salary. You can hear in his voice dreams of a road not taken, one of hunting trailers and lonely, straight roads at dusk. But then he looks at you, and it’s as if the dream was only a passing thought. His voice changes and he tells you that it’s probably for the best that he’s not a game warden.

“If it was my job, if I did it all the time, it wouldn’t be special anymore. It wouldn’t be the same.”

You stop at a little roadside diner to get runny eggs and bacon. Black coffee for your pops. Other hunters dressed in camouflage uniforms populate the diner, and they speak to your dad in what seems like a foreign language.

“Set up near Ponca, out near Vance Riggins’ place.”

“Went out there once with Jim Caldwell.”

“From Enid?”

“Okarche. Didn’t see shit though.”

You get back to the house and the cousins are playing a football game in the front yard; a Christmas tradition. You play all-time quarterback for a bit, then head inside and lounge on the couch, prepping for a nap. The Spurs are on television and your uncle from San Antonio yells at the television as you drift off. Your mom walks by and ruffles your hair.

“Mom…”

“My butt itches.”

“Gross.”

“Did you have a good time with your father?”

“Yeah. It was cool.”

She smiles and kisses you on the cheek.

“Uh huh. So I guess that means you’ll be getting up and going again tomorrow. I’ll go tell your father.”

The meaning lags behind the words, a case of tape-delayed brain, and then it hits home and panic ensues for the first time since the contact incident.

“No! Jesus, Mom!”

Written by: Logan Theissen
Photograph by: Emily Blincoe

The Imperialist

Posted on: September 9, 2014


Like any old man, I was young once. Each morning I attacked the day. Down the stairs to the subway platform, slipping through the doors like a bandit, I rode the rails and got my fill. Then one day I realized I could no longer move fast enough. Like any old fool, I waited. But the train passed me by, one car after the other, until I found myself alone and used up. I had collected many years, and eventually that was the only part of myself that made sense anymore; I had always been a collector.

In my youth, before I collected all these years, I collected flags; flags from the women I slept with. This is not a euphemism. Let me explain.

I was a handsome young man, strong-jawed, stout, standing nearly six foot with wavy brown hair. I had an easy-going smile and nice teeth. More importantly perhaps, I possessed a quiet confidence. I didn’t speak often, but never gave off the scent that I had nothing to say. I found out early enough that this package was appealing to most women, and as long as I didn’t find myself saddled by too much commitment I could move freely from one sexual encounter to the next. I never believed that this made me a bad person.

I was eighteen when I slept with Miyu, and for the first time, I fell in love. She was from Japan, and had black hair and porcelain skin, not unlike many other Japanese girls. She was petite and not altogether handsome, but I loved her smile, and the love of a smile can go a long way for an eighteen year old. My favorite part of her was her hip bones, which jutted out like cliffs from her thin body, and I found myself enamored, clutching on to them as if I could somehow fall off those cliffs.

And then one day, out of the blue, she decided it was over. I was heartbroken. It was like she had burrowed herself into me, into my deepest recesses, and planted a bomb. Pulling herself out of me on a day in the summer, she triggered the remote and watched as I imploded from the inside out. In retrospect, though I believe she did this intentionally; I do not think she understood the magnitude of her actions. She had destroyed a part of me, an innocence, and the repercussions would be felt for years to come like clouds of ash following a volcanic eruption.

There was a convenience store down the street from where I lived, and upon first entering it, I was taken aback by the collection of flags available for purchase. They were folded tightly and packaged in plastic, hanging alphabetically. Why the store sold flags I’ll never know. I never saw another soul purchase one. There were never any empty racks, they were never sold out of a flag, and I never thought to ask the clerk.

The first one I bought was astronaut white with a single, blood red dot in the middle. I used clothespins to clip it to a hangar in my closet, and my collection began.

After that they came in rapid succession. There was Cosita from Panama, whom I met while sitting on a bus. She was a few years older than me with brown hair, and dark skin that she constantly moisturized with an azul container of lotion, the name of which I cannot recall. She had a large birthmark in the shape of Florida on her left thigh. After two weeks, I made my way to the convenience store and purchased the Panamanian flag, hanging it next to Japan.

Through the years there were many of them, and now I only remember snapshots of our time together, like I’m flipping through polaroids with the names and dates scribbled on the back. There was Rosalita from Cuba, who liked to make love while listening to Bruce Springsteen. Katja was from Germany, quiet as a mouse until in the bedroom, who between her two front teeth had an endearing gap. Camille was one half of a Filipino twin-set, the other half going by Christian. He followed me after I left his sister crying on the steps of some university academic hall and gave me a black eye as I walked out of the convenience store holding the Philippines flag. I remember shouting at him that he wasn’t very Christian at all.

Su-Jin was from Korea, studying abroad, and loved Elvis Presley so much that she cried when I told her he had died on the toilet. She reminded me of Miyu and the affair was short-lived. There was America, from Mexico, who aside from the irony of her name also had a particular affinity for French fries and anal sex. Even now it’s sad that this is all I remember of her. Klara from Russia spelled her name with a “K” and would introduce herself as such, “Klara with a K,” in stunted Russian wherever she went. She too loved Elvis Presley.

Finally, there was Mariella from Cuba, with Cuban hips and Cuban lips, Cuban thighs that could wrap themselves around you like a boa constrictor. She sang lullabies in her native tongue while doing the dishes and was the most passionate woman I have ever known. She was the last of my conquests, if you want to put it that way. All of these women bookended by my two true loves, and still their flags hang in each end of my closet.

When they put me in this place - with it’s awful shag carpeting, it’s water-stained walls festooned with mawkish, gold-plated picture frames, it’s frozen lake home to ducks in the wintertime, it’s patios home to little concrete statutes of children in overalls and artificial plants, all imprisoned by steel bars and a locked gate - they told me I could bring one suitcase full of clothes. But clothes can be purchased, and the convenience store of flags closed down years ago, so my closet is home to my collection, my life-long pursuit, and perhaps one or two Hawaiian patterned shirts that they sometimes make me wear during the mandatory Friday socials.

“What are you writing?” asks the nurse. She is a big, black woman named Susan, who is kind and sometimes lets me sleep through bathtime.

“My history,” I reply.

“Our history?” she says, “Well, that’s nice.”

No, I think, not ours, but mine.

“I’m confused,” I mutter. “I don’t remember.”

I look at this page in front of me, at all these scribbles, and I don’t understand. I don’t know what they mean. I don’t remember writing them.

“Don’t fret,” she says, “Sometimes, it’s not so bad to forget the past. It lets you focus better on the future.”

Written by: Logan Theissen
Photograph by: Emily Blincoe

The Wisest of All

Posted on: August 12, 2014


“We cannot eat of it. We cannot touch it. We will die if we do,” said the Woman.

The Serpent was puzzled.

He remembered the day when the Creator made him and brought him to the Man to be named. The Man marveled at the Serpent’s long body and scales, holding him with awe and delight. The Serpent wrapped himself around the Man’s arm, darting his forked tongue out to inspect the warm, pink skin.

“Your name will be Serpent, because you see all things, making you wise and prudent.”

The Serpent lifted his head and met the Man’s eyes.

“Ah, but you are also wise,” said the Serpent, “and clever.”

“And you talk too much,” the Man replied with a laugh.

The Serpent remembered the day when he lounged on a branch of a tree in the middle of the Orchard of Eden, so named by the Man because it brought him great pleasure. The Serpent watched the Man pruning the trees and picking up fallen fruit, for the Creator made him keeper of the Orchard. The Serpent wrapped his tail around the branch and lowered his head down to peer at the Man.

“Why do you not eat the fruit of this tree?”

The Man glanced up from his basket at the Serpent, then up into the branches.

“It is not like the other trees. Her fruit gives Knowledge of both Good and Evil.”

“Is that not a desired trait?” the Serpent asked.

The Man looked down into his basket, his brow furrowed.

“The Creator said that if I am to eat of it, I must let my ego die. I would bear the responsibility of Knowledge. I am not certain I wish to carry that burden.”

The Man met the Serpent’s eyes, smiled with one side of his lips, and resumed his work.

The Serpent remembered the day when the Creator made the Man sleep, and formed the Woman from his body with one of his ribs. It was a wonder to behold their similarities and differences, lying next to each other upon the grass beneath the Tree of Life.

The Creator said to the Serpent, “The Man should not be alone. The Woman will help him be better.”

The Serpent watched the Woman’s eyes flutter open, watched her turn her head to look upon the Man. He watched joy and wonder wash over her face in much the same way as it washed over the Man’s when he held the Serpent on the day he was made. The Man awoke, and beheld the Woman with his eyes.

“At last,” he whispered, taking her into his arms, “Flesh of my flesh, at last.”

As the Woman embraced the Man, the Serpent noticed something about her demeanor. She, too, was wise and clever like the Man, but there was a part of her that was like him.

The Woman was sensible.

The memories of those days flashed in the Serpent’s mind as he looked into the Woman’s eyes. She stood beneath the tree of Knowledge, wrestling with her loyalty to what she had been told. And the Serpent was puzzled because she did not speak the Truth.

“It is not so, Woman. You will not die. You will know. You will know as the Creator knows, the difference between Good and Evil.”

As the Woman wrestled with her uncertainty, the Serpent pondered the reason for her Lie. Like a firefly at dusk, the Truth revealed itself to him and it made him bitter. The Man told her a Half-Truth, but why? To control the Woman? To keep her from having the very thing he was too afraid to have himself? The questions raced in circles behind his eyes until he noticed someone behind the Woman.

The Man glared at the Serpent, and the Serpent glared back.

The Woman plucked a piece of fruit from the tree and said to herself, “Surely, if it will make us wiser and more like our beloved Creator, it is good for us to eat.”

The Woman ate the fruit, and plucked another for the Man as he came to stand by her side. The Serpent watched the glare fall from the Man’s eyes as he looked down at the Woman, his companion, his love and equal. He took the fruit from her hands as she beamed up at him, and he looked back at the Serpent. But he was not angry now. He was afraid, afraid of the burden of knowing Right from Wrong, Good from Evil. He was afraid of the responsibility that he and the Woman would carry now, more than just caretakers of the Orchard, but doers of a Law that would etch upon their hearts.

The Man ate the fruit, and their eyes opened, and they were afraid. Before, the Creator would tell them all they needed to know, all that they had to do. The burden was on the Creator if they made mistakes. But the change was tectonic. They knew all that the Creator knows, the responsibility placed now upon their shoulders to choose rightly.

The Man and the Woman were ashamed of the Knowledge. When the Creator appeared in the Orchard, they hid, already stumbling over the ability to choose a Good action, or an Evil one. And when the Creator questioned them, the Man blamed the Woman, and she blamed the Serpent. All eyes turned to the wisest and most prudent of all creatures, and everyone knew what was happening. Everyone knew the ache that comes from carrying a heavy thing. It either brings out your self, or you let yourself die.

The Serpent watched the Man and the Woman leave the Orchard as the Creator issued a guard to stand at the entrance.

“It will be all right,” the Creator said. “I will go with them. There will be moments when they forget they know what is Good, and I will remind them.”

“And what shall I do?” asked the Serpent.

“Tread lightly.”


Written by: Natasha Akery
Photograph by: Emily Blincoe

The Mission

Posted on: June 19, 2014


It's Tuesday, and today, The Mission Thrift Store will put its new merchandise on the floor. I make a point to stop in each week to browse the new goods. Rice cookers, unopened undershirts, mismatched sheets—I like to pick through the shelves. I'm amazed by what people give away.

Do you know how many picture frames are donated to The Mission? Hundreds. And nearly all of them still have photographs in them. I don't know why the staff doesn't take them out. Maybe they think it's too sad to discard the photos; maybe they hope someone will feel inspired to replace it with their own photograph. I've never purchased one of these frames, but I make a point to visit the back corner shelf where they're all stacked.

I visit every Tuesday, but I find myself at the store a few times a week. When it’s slow at the office, or I can’t watch any more TV at home, I make a trip to the store. Some people go to church to reflect and find peace. I go to the thrift store for the same reasons.

I would be lying if I said I didn't also go there to see Sara. She's been working there nearly every day since I moved here four years ago. She works at the processing counter. It's Sara's job to decide what stays and what goes. She seems to understand the needs of the town—who might need a futon frame or a prom dress or copies of Chicken Soup for the Soul.

I round the corner and keep my head ducked from the cold. Spring feels far away today. Last week, I stopped by The Mission wearing only a t-shirt and shorts. Today, I'm bundled in an overcoat I bought for six dollars last fall. I reach the store and enter it, catching the door before it slams behind me.

Sara looks up from the counter and waves.

“Mike!” She smiles. She always manages to sound surprised to see me, but thrilled that I stopped by. I walk up to her counter and survey the box of junk in front of her. “I was hoping you'd stop by,” she says, “New merchandise today.”

She digs through the box and pulls out a curling iron. The cord is frayed and crimped, and the barrel is covered in rust. “I mean, who wouldn't want this?” She laughs, tossing it into a trash can behind her. “It's nice to see you,” she says.

“It's nice to see you, too,” I say. I want to tell her about the cherry blossoms frozen to my windshield this morning, how I thought they were perfect and complicated. Something about the last trace of winter mingling with spring, something like that. I want to tell her how I thought the mix was sad and beautiful and confusing—like her. But I would never say that.

I wouldn't even tell her how I thought of her when the cherry blossoms first bloomed a week ago. How the surge of pink and snow outside my window was a surprise: a new color against the bleak winter sky. What I want to tell her is that she looks so cute in her green apron, that the color makes her eyes sparkle. That the fluorescent overhead lights makes her hair shine, that her perfume somehow cuts through the musty smell of old clothes and furniture.

I want to tell her how each Tuesday, I linger in the back corner of the store looking at each photograph she sends to the shelf, what she deems worthy of keeping. “It's nice to see you, too,” I say again. I tap my hand on the counter and back away. “I’ll be in the back, checking out what’s new.”

Sara's digging through the box, not looking at me. “Mmhmm,” she says. “Have fun.”

I walk to the home goods section and begin to pick through the linens and hand towels. It's all so familiar, the usual thrift store fare: pineapple tea towels, green and khaki plaid sheets, personalized pillow cases: Some Bunny Loves You, Jeremy.

I arrive at the art and picture frame area. The shelves are especially full today. I spot a red bound photo album, reach for it, and open to the first page. The book itself is beautiful, hardly marked. Inside, photos are tucked between the cellophane pages. A family smiles back at me; three children are tan, hair sun-bleached and wavy. I flip through the entire vacation, then I close the book, feeling guilty for looking into their memories.

Out of the corner of my eye, I see a large, shiny frame. It's pearly and silver, like a frame for a wedding photo. I pull it off the shelf to inspect it. My throat goes dry. Looking back at me is a young woman with dark hair piled on top of her head. A long cathedral veil covers her face and drapes over her shoulders and strapless wedding gown. Her face is covered, but I know those eyes.

It was her idea to start coming to The Mission Thrift Store. She wanted us to have a ritual, she said. So, each week, we would get coffee, stroll the main drag downtown and end our evening browsing the shelves. Her favorite game was to make up stories about the people in the photographs. Kate could create a story from the top of her head—tangled, complicated stories of love lost and found, births and deaths. She would make me laugh so hard that Sara would have to shush us from the front of the store. We were married three years before she left.

Maybe she’s happier now. I always pictured her living out west—somewhere more dry and predictable than the east coast. I imagine her barefoot in a backyard somewhere, pinning clean sheets and undershirts to a clothing line. She has two children, maybe, and a dog that her neighbors tease her for. “He's too fluffy to live in the desert,” they laugh. She has everything she's ever wanted.

I peek over the shelves to see if Sara is watching. She isn't at the counter. I unbutton my coat and slide the frame under my arm. As I'm buttoning my coat, Sara appears. She says, “I'm sorry, Mike.”

I start to speak, to wave off her apology. How could she have remembered about Kate after all this time? I shake my head, but before I can speak, Sara says, “I'm sorry, Mike, but you can't just take that.” Our eyes lock, and I clench my hands into fists.

“Excuse me,” I answer, my voice low. I shove past Sara and push through the front door, and a blast of cold air hits me. I march down the street, the frame still stuck under my arm. My heart races, and I feel the sweat on the back of my neck as the wind whips around me. I look over my shoulder, but Sara isn't following me.

Written by: Whitney Gray Schultz
Photograph by: Emily Blincoe

Arbor Day

Posted on: May 22, 2014


On her last night in their little house, Allison stared out the back window, her eyes straining against the fading light.

The sun never really set in this little pocket of the New Hampshire woods. There was none of the pomp, none of the grandiosity, that accompanied the end of the day like it does in other places. The sun would just quietly slip behind the multitude of trees as the day passed from light to dark with only a brief foray into dim.

It used to be the only thing she missed, the one tiny imperfection in her otherwise story-book existence, until the trees took something far more important than a sunset.

Ever since their chance meeting at college, Allison said that she would gladly follow Jack to the ends of the Earth. When he found a teaching position at his alma mater, she proved it, moving with him to the tiny little hamlet in the White Mountains where he had grown up.

It was early spring when they bought their house, a little cabin nestled in shadow of the surrounding peaks. The house itself sat at the end of a mile long driveway, in a dense grove of stout, deciduous hardwoods. The thicket tapered off and gave way to a maze of spindly white pines and other evergreens as you climbed towards the ridge. She was mesmerized by the raw beauty of this untamed environment.

The isolation did not frighten her; in a way, it was a comfort. The University of Denver had taught her that she was not suited for the hustle and bustle of city life, and the quiet solitude reminded her of her family’s farm in Nebraska.

Except for the trees. Never had she seen so many trees.

While Jack was teaching, Allison spent her time on her own education; she devoured books on the indigenous flora, meandered through the woods, waded in the marshes, forded little brooks and climbed boulders. She reveled in her new world, learning its secrets.

On weekends, they would explore together. She would run from tree to tree, touching them, telling him of the wonders she had learned. Relishing her enthusiasm, he would flash his quiet smile and listen to her expound on the minutiae that differentiated the sugar maple from the black maple, or the white ash from the red.

Spring turned to summer, the world transformed from buds and blossoms into a great green mass, breathing and teeming with life. School was out. They had each other’s company all day, everyday. They made their own swimming hole by building a small dam on one of the little streams that danced through their property. Naked and alone, Allison and Jack splashed around, getting some relief from the heat and making some of their own. They screened in their porch and slept outside every night, serenaded by the lullabies that the woods provided.

And just as quickly as it came, summer was gone. The days got shorter and the nights turned cool. Jack was back to grading homework and preparing lesson plans. They moved their bed back inside and watched in wonder as Mother Nature got dressed in her autumn finery. For Allison, it was a revelation, an explosion of color the likes of which she had never seen, or even contemplated. She rambled through the woods, exulting in the myriad of reds, oranges and yellows. She danced under the trees as they dropped their leaves, like a child splashing about in the rain.

The first snow of winter was mild, a white dusting on the skeletal remains of the trees. Soon the entire world was blanketed with a thick layer of snow. But even this could not temper her passion for her surroundings. She ventured out some mornings, snowshoes strapped to her feet, marvelling in the silence that only winter can bring. But many days she was just as happy to stay inside, keeping their house cozy and warm, cooking hearty soups and stews on the old wood stove. She felt as if they were insulated from all of the harsh realities of the world, enveloped in their own little cocoon.

But no one is ever safe from the world.

Without power and phone, she had clung to the hope that Jack had ridden out the ice storm at school, or with his parents. But it wasn’t just the power and phone lines that came down. All over the state, thousands of majestic, towering trees, ensconced in a thick cuff of ice, had buckled under the added weight and crashed down, crushing whatever, or whoever, was in their wake.

It took two days for her to find out.

Warm and consoling, Jack’s family tried to convince her to stay after his death. Allison didn’t know what sounded worse, continuing on without him or leaving their home behind, so she tried to stay. She tried to pretend that she was okay, tried to pretend that the seclusion she had so loved wasn’t turning into desolation and despair. She made it four months.

In the end it was the trees that drove her away. The woods, once so inviting, now made her claustrophobic, straining for breath. The fitful bits of sleep she managed to get were littered with nightmares of the forest coming alive; the branches grabbing her, choking her, trying to swallow her whole.

She couldn’t leave the house that last night. She finished packing and found herself gazing out the windows, memorizing, remembering. The sunlight disappeared but she continued to stare, not stopping until the view of outside was replaced by her own reflection.

                                                                                                  ***

Allison smiled at the approaching sign.

                                                                                            Nebraska
                                                                                        The Good Life
                                                                                    Home of Arbor Day

Interstate 80 unfurled before her, a ribbon of blacktop that stretched as far as she could see. The horizon beckoned in every direction, unobstructed except for a few cottonwoods far off into the distance. The setting sun dipped behind the clouds, illuminating the skyline with a subtle pinks and purples. She rolled down the windows and took a deep breath. She scanned through the radio station, stopping on the classic rock station just in time to hear Janis Joplin belting out “Me & Bobby McGee” in her unmistakable boozy, bluesy drawl.

“Freedom’s just another word for nothin’ left to lose, and nothin’, thats all that Bobby left me.”

“Amen, sister,” she said as she wiped the tears from her cheeks. “At least we’re free.”

Written by: Ben Cook
Photograph by: Emily Blincoe

Drive

Posted on: April 22, 2014


"Just start the car and drive," she said to herself. Her hands were trembling. She fumbled with the key, nearly dropping it before she managed to jam it into the ignition. "Just start the car," she chanted. "Just start the car... just start the car... just start the car."

A twist of her wrist and the car shuddered to life. The throaty rumbling of the engine momentarily startled her. She hadn't expected it to start; it was old and she was used to things not working. She gripped the steering wheel, knuckles burning white.

"OK. Now," she instructed, "just drive the car. Just drive the car. Just. Drive. The. Car."

She stepped on the accelerator. The engine roared, but the car remained stationary. First, panic - "No. No… No… NO!" - then, relieved realization; she hadn't put the car in DRIVE. She cursed her own stupidity and shifted the gear stick. It settled into place with a clunk. The car lurched forward, churning up a thick, brown cloud of dust. At the same time, she felt the weight of doubt, like a ball and chain, holding her back. But, no. It was now or never. She had to go. She had to go or she would be stuck here forever. She had to go or she would die here, without ever having lived. She couldn't look back. She mustn't look back.

She glanced in the rear-view mirror.

"No… No… NO!" She yelled, hitting the steering wheel with the palm of her hand. She scolded herself for being weak. She must never look back. It was over. Over. From now on, this place was dead to her. It was no longer home. For the time being, she was homeless. She thought of all the trite sayings she'd heard over the years: ‘Home is Where the Heart is.’ ‘Home Sweet Home.’ ‘There's No Place Like Home.’ She considered the meaning of the word 'home' - A place where one lives? A place where one feels safe? Yes, she had lived here, but no, she’d never felt safe.

Salvation was a small town, the kind of town outsiders often saw through the rose-tinted glasses of romanticized nostalgia; a town forgotten by time, with white picket fences, unlocked doors and friendly locals. But the reality was far less idyllic. The white picket fences needed painting and repair. The unlocked doors and the so-called friendly locals – residents who felt it was their business to know everybody’s business – made Salvation a gossipy, judgmental community, one completely devoid of privacy and personal space. In her opinion, there’d been far more suitable names – Stagnation, Suffocation, Strangulation – but she’d always kept those to herself, until this afternoon.

“This place, it’s killing me. I have to get out. I can’t breathe. I can’t breathe with all these hands around my throat.”

The memory replayed. It clouded her mind - a stubborn storm of thought, a tempest she couldn’t shake.

“What did you say?” he slurred, grabbing another beer from the refrigerator - his fifth of the hour. He popped the metal cap from the bottle and flung it at her face. She flinched and turned away. The cap bounced off her head and clattered to the floor. He scoffed. “Pick that up,” he said.

But she didn’t move.

“You hear me? I told you to pick it up.”

She felt the burning heat of his glare and thought, ‘If you do this, life will never be the same. If you do this, there’ll be no going back.’

She returned his glare. “I heard you,” she said.

His eyes narrowed and he stepped close. “Then. Pick. It. Up,” he hissed. Spit flew from his lips with each punctuated syllable. His speech was slow, shaky, angry.

‘If you do this…’

But she already knew.

‘Life will never…’

She was going to do it.

‘No going back…’

She straightened up, looked him firmly in the eye and said, “No.”

The pain from the blow was momentarily blinding and she crumpled to the floor. When her vision cleared, she saw him standing over her with clenched fists. She reached up and fumbled for the edge of the countertop, finding it with the pads of her fingers. Using the wooden surface as support, she pulled herself to her feet. She was dazed, but determined, and when the second blow came, she was ready.

She ducked and grabbed the kettle – heavy and full of water – and swung it at him. The rounded metal connected with the side of his head, making a musical, watery gong sound. To her surprise, he fell straight to the floor. She hadn’t expected it to work; he was strong and she was used to things not working. But he was sprawled on the floor, out cold. She knew she had to act fast. She grabbed some money, a change of clothes and the key to the car.


Now she was on a long, empty road - tires crunching over the gritty surface of the tarmac below, sky stretching, blue and wide, above. She rolled down the window, letting the wind play with her hair, and she thought, ‘This must be what freedom feels like’. She breathed in, deep, and briefly closed her eyes. When she opened them again, she caught sight of something in the rear-view mirror. In the distance, in the middle of the road, stood a girl - a vision of herself – a girl with the same face, clothes and hair. The girl looked panicked and distraught.

Her heart lurched and she gasped, slamming on the brakes. The car stopped. She considered turning around and going back. But then she thought, ‘You can’t save someone who doesn’t want to be saved. You can only save yourself.’

She took her foot off the brake and pressed it down on the accelerator. As the car picked up speed, she glanced in the rear-view mirror. The girl was gone.

She fixed her eyes on the road ahead and never looked back again.

Written by: Angela DeRay
Photograph by: Emily Blincoe

Peachy

Posted on: April 17, 2014


9:59 PM

Jennifer’s head is turned towards the window and she has to squint to see — she's blind without her glasses. She closes her eyes and lets out one last breathe as if to say "I'm ready."

"Owwu"



"Oh"


"What happened?"


"I'm done."

10:00 PM

"That wasn't so bad. I expected worse. It hurt, but in the good kinda way, ya know? Claire told me it would be like that,” said Jennifer.

“Ugh, Claireee…” Tom says under his breath with a hint of disgust.

“Well, thank you," she says sheepishly, not knowing what else to do.

After an embarrassing peck on the cheek, he leaves.

                                                                                                  ***

"Dude, but I'm pretty sure she was looking at the clock," Tom says shaking his head.

"Nah man, I'm sure she didn't. Don't worry."

"Well I looked. One minute. One fucking minute. Actually, a little less but I have to round up. That's okay, right?"

"Yeah man, chill out. It's happens to everyone. You'll get better and she'll want more," Chris says, nodding and grinning.

Chris is kind of creepy but he's Tom's friend and Tom needs support right now.

It’s been 16 hours now since Tom lost his virginity to Jennifer. Tom has had his eye on Jennifer since the eighth grade. He loved her smile, her eyes, her hair and the way she dressed. She had an annoying voice, everyone thought so too, but he didn’t care.

They started as friends in English class and Tom was always there for her, stuck in the friend zone. He was okay with this though. He figured this was good enough; he thought she was way out of his league anyway.

As terrible as this was, he saw the friend zone as an investment – a term he heard his dad throw around a lot and one that he quickly adopted. It made him feel smart. An investment that he thought, may, pay its dividends (another one of those words) further down the road but one that he was willing to take a loss on if nothing played out.

It was the last thing he expected but he just struck gold. Except, it was like he spent all the gold on one lame night in an arcade instead of a crazy trip to Vegas. It was anticlimactic and he was embarrassed. He had no idea how he’d ever look at Jennifer again.

                                                                                                  ***

“Claire.”

Jennifer rolls her eyes.

“Claire.”

“CLAIRE,” Jennifer sternly whisper-yells.

Claire is too busy wrapping her lips around a sucker while looking over her shoulder at Jason to hear her name.

Jennifer nudges Claire’s shoulder, says something about how dirty she is and then finally lets it out.

“I lost my virginity last night,” says Jennifer.

“To Jeremy?” she asks.

“Ew! Gross!” Jennifer says. “To Tom.”

“Oh, I would do it with Jeremy,” Claire says, not impressed. “Well, how was it?”

“I was so embarrassed. And kinda scared and it was just like you said it would be and it kinda hurt but it felt good in that weird way like you said and it felt like it lasted forever. I couldn’t look at him though. I looked out the window. At the stars. It was really nice.”

“Eww,” Claire says. “You’re so lame.”

Claire isn’t the best of friends, but she’s Jennifer’s friend and she obviously needs some support right now.

It’s been 16 hours now since Jennifer lost her virginity to Tom. Jennifer has had her eye on Tom for years. Since the eighth grade actually. She didn’t know what it was. Maybe it was his smile, his eyes, his hair or maybe it was the way that he always wore cargo shorts and a hoodie no matter how warm or cold it was outside. Everyone thought he was a little nerdy, and you know what, maybe he was, but she didn’t care.

They started as friends in English class and Tom was always there for her. She had quickly put him in the friend zone but she loved having him around. He was such a sweetie and she was so grateful to have him there when her mom got mad at her or that one time that Chance broke up with her or that other time Claire told everyone that she made out with Trevor under the bleachers. “I NEVER did that,” she’d try to explain, but Tom didn’t let off that he cared.

It was the last thing she expected to do that Friday night but she was very happy with her decision. It was like the planets were aligned and for the first time she realized how compatible her sign was with his.

He was slow, careful, respectful and everything that she had wanted. The whole thing was embarrassing, there was no doubt about that, but she was still excited to see Tom again.

                                                                                                  ***

The bell rings and class is dismissed. High-schoolers flood the atrium.

Jennifer is listening to Claire gossip about something she doesn’t care about. She wishes she wouldn’t be so rude sometimes.

Tom is taking a punishment from Chris as he punches him in the shoulder repeatedly and makes fun of his band hoodie. Chris goes silent for a second and Tom barely notices until he gets shoved again.

“Dammit dude!” Tom runs into someone and turns around to apologize while flicking Chris off.

“Jennifer.” His face is frozen in shock.

“Tom!” She says with the biggest smile.

“I’m sorry.”

“It’s okay! How are you?!”

“...uh…just...peachy?” Tom says, his face bright red. He shuffles away quickly, leaving Jennifer a bit confused.

“Just peachy?” Chris asks, as they move down the hallway, embarrassed for his friend. “What the fuck dude, you’re so lame! That’s something my grandma would say. Go talk to her, she obviously likes you.”

“Really? You think?” Tom asks.

“Yes! Go!” says Chris with a shove.

Tom chases after Jennifer, his heart racing, holding back a smile.

He’s going to be late to Chemistry but everyone knows that Mrs. Patterson is too old, too deaf and too oblivious to notice. And he doesn’t care; he’s in love. At least he thinks.

Written by: Daniel Vidal
Photograph by: Emily Blincoe

Sanctuary

Posted on: April 10, 2014


“Hey, Hazel,” Miriam says, “just the hour, please.”

“Usual room?” Hazel asks. She peers down bright pink reading glasses, perched precariously on the tip of a bony nose. She is all angles and anger today, irritated because Miriam is late. Hazel’s already deep into her puzzle book, a flimsy tome that manages to occupy the same shelf as the Holy Bible and a warped paperback so worn its spine bears no identity.

“If you can spare it,” Miriam forces a laugh and it comes out like the squawk of the territorial swan on the 7th Hole, the one she always warns the kids against taunting.

“Shit, ‘course I can,” Hazel mutters under her breath. Twice offended already. Miriam hands over an extra twenty, locking eyes with the woman. Hazel says nothing, but she smirks as she slides the crisp bill into her puzzle book and hands Miriam a worn key with a chipped plastic key ring, the number 202 fading in dull, gold letters.

Miriam pulls her scarf over her hair as she exits the office. She does not anticipate running into anyone here, but she won’t take any chances. Friends and acquaintances know the buxom blonde as Miriam Ashley; strangers mistake her for a well-preserved, resurrected Marilyn Monroe.

The road by the motel is quiet. No cars pass, and Miriam lets her guard down as she climbs the stairs. Her heart pounds as she slips the key into the lock.

202 is Miriam’s favorite. Hazel told her once that she wanted each room to be a little unique, like one of those boutique hotels. The exteriors are Miriam’s point of reference. She has only ever stayed in 202, worried that after the first time here the experience might be compromised in any other room. 202 is Miriam’s, and when she closes the door she breathes in her air.

Miriam takes out her iPhone, the unlock sound a familiar echo. She sets the timer for an hour, making her usual personal vow: she will not touch the phone, not until she hears the shrill sound of the alarm, a stark trill that slams her back into reality, into responsibility and selflessness and goddamned duty.

Miriam places the phone on the old dresser. It still smells of varnish, and she catches her hand on the sticky patch. Sometimes she does not think about what the tacky substance could be, and sometimes it is all she thinks about during the hour: the pleasure of endless possibilities, permutations of something meaningless.

A low moan interrupts the stillness. It is the man next door, the one Miriam has seen the last few weeks. He wears his graying hair long and thick, giving him a savage and primal appearance.

Miriam takes a deep breath, ignores the sound: this is her hour and she doesn’t want to share it with anyone, even aural interlopers. She closes her eyes, going through the list of options for how she can use this time.

One day she sobbed: thick, heavy wails muffled into a lumpy pillow and itchy comforter. Miriam cried until the skin under her eyes thinned and bruised, tears eroding makeup. But she is not in a maudlin mood today, so Miriam eliminates that activity from her list.

Miriam takes off her clothes and places them on the bed, each piece forming a preppy outline. She stands naked and stares at the silhouette; this is how it will look when the Rapture happens.

The Rapture. The fear of it, instilled by a lifetime of Southern Baptist services, makes her heart pound. Instinct compels her to pray, to get down on her knees on the worn rough carpet and call on God for salvation.

Miriam turns her back to him and the rest of the world.

“My hour,” she says, her voice heavy with guilt, “I’m sorry, but my hour.”

Miriam knows what she wants to do. She walks to the bathroom and turns the faucet as far as she can. The shower sputters to life, and after a moment the water is a steady, scalding stream. When she steps in, the steam envelops her. The water doesn’t feel as hot as she knows it is; she thinks of heated pools and warm summer days at the lake.

Howard maintains that a long, hot shower will cure almost anything mental or emotional that ails you. And Miriam gets it now - but Howard hasn’t been in her shoes. He hasn’t missed a long, hot shower in months. At best, Miriam gets five lukewarm, tepid minutes. More often than not, there’s a perpetual repeat of this morning: a speedy cold shower with a tantrum or fight (or both) happening in the background.

Miriam spots a bar of soap and unwraps the flimsy paper. It’s cheap, breaking in her hands, but she scrubs herself until her skin smells medicinal and floral. She wants to stay in the shower longer, stay all day and not have to worry about screaming kids or meals or whether she should keep the door open or closed, but the heat and possible allergic reaction to the soap have turned her skin a violent red.

When she steps out of the shower, residual steam clings to her in a warm embrace. Miriam smiles and wipes the mirror down. Her hair is half-wet and limp, but she’ll let it air-dry, tell everyone she’s just trying something new for a change.

Miriam has just finished dressing when the alarm shrieks its warning. She slides her finger across the iPhone and pulls sunglasses out of her bag. Even with the extra $20, her therapy is pretty darn cheap.

Howard calls her as she drives home, the windows down and the air fresh and cool.

“Hey gorgeous,” her husband’s voice radiates love, “what’s for dinner?”

Written by: Erin Justice
Photograph by: Emily Blincoe

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